Sepulchre - Kate Mosse

Sepulchre, the sequel to Labyrinth (which I read and reviewed), follows two different characters in two different time periods, as did Labyrinth. Léonie Vernier is seventeen years old and living in Paris in October 1891 when she accompanies her beloved brother, Anatole, to visit their widowed aunt in the small mountain town of Rennes-les-Bains. During her stay, Léonie finds out that the Domaine de la Cade, her aunt's estate, has been the subject of local superstitions for years; Léonie studies these superstitions, leading her to a pack of eerie tarot cards. In her explorations of the Domaine de la Cade, Léonie makes another discovery--a Visigoth sepulchre. The sepulchre and the tarot cards involve Léonie in the deepest secrets of the estate, eventually leading to a dramatic conflict and a difficult choice for Léonie. Meredith Martin, on the other hand, arrives in Rennes-les-Bains in 2007, checking into an old hotel, the Domaine de la Cade. After a coincidental encounter leads her to a tarot reading, Meredith becomes more entrenched in the mysteries and old superstitions of the area, becoming involved in her own conflict and finally discovering what ties her and Léonie together.

The fact that I'm writing this review directly after finishing Sepulchre at about 1:30 in the morning should give you a little bit of a clue as to how I felt about this book. While Sepulchre is rather hefty (565 pages), I flew through it, beginning just before bed yesterday and finishing about twenty minutes ago. As in Labyrinth, the sections alternate between the two characters. Since the conflict was resolved at the end of Labyrinth, I really had no clue what this book was going to be about, and how it was going to tie in with the first. While the two foremost characters are entirely new, several reappear. This added to the suspense of the story for me--every time someone I recognized entered the plot, it made me even more eager to find out what would happen next.

While I found Sepulchre more enjoyable for having read Labyrinth, I have to think that one could read either one alone and still find them understandable and satisfactory--that is, there are not facts laid out in Labyrinth that are necessary to the reading of Sepulchre. This and the relatively unrelated central conflicts of the two books makes me wonder how Mosse will tie everything together, or even if she will, in the last book of the trilogy. While I've looked on Mosse's website, the only information I can find on the last book is that it will be called Citadel and will be published in the UK in Fall 2010. In fact, the last time Ms. Mosse updated her blog was March 7, 2009. I suppose that until an American release date is published, I will simply have to wait...and a long wait it will be. In the meanwhile, I urge any of you in the UK to read both Labyrinth and Sepulchre before Citadel comes out, and then find a copy of it--just don't tell me the ending!

Ice Cold - Tess Gerritsen

Maura is a Bostonian medical examiner who, in Wyoming for a medical conference, impulsively decides to join a friend from college and a few others on a ski trip. Halfway between their destination and the last gas station, the group's SUV gets stranded in feet of snow. Eventually deciding to go for help, the group travels up a private road to the village of Kingdom Come, where a small group of identical houses stand apparently abandoned--there is frozen food on the tables, windows are open, doors are unlocked, and vehicles remain in their garages. It appears as though the residents of Kingdom Come simply vanished in the middle of their day, but as Maura and her friends begin finding footprints, they suspect there is someone watching them.

This is a pretty typical thriller novel as far as plot goes (except for one point, that is, which I will not mention here because I am adamantly against spoilers). However, I will say that Gerritsen's writing embodies, to me, an example of what thrillers should be like. Ice Cold is quick-paced, captivating, and thrilling. I read this in a few hours today, during which I did absolutely nothing else (well, I suppose I ate some peanuts, but I went to the kitchen in back with my nose in the book). I didn't expect this book to be a piece of great literature, and it wasn't--but it did serve its purpose in my mind, that purpose being to entertain and engage me for a few hours of suspense and pure enjoyment.

Thanks to Tess Gerritsen and Ballantine Books for supplying me with a paperback ARC via Goodreads. It was requested, but not required, that I write a review, favorable or otherwise. Ice Cold will be available on July 27, 2010.

The Catcher in the Rye - J.D. Salinger

I first read The Catcher in the Rye in March of 2009, and I did not enjoy it at all. I thought Holden Caulfield was a boring and annoying narrator, and I failed to empathize with him as the teenage audience is generally wont to do. I had wanted and expected to love Catcher, so it was a huge disappointment for me. Despite this, I picked the book back up this spring--I'm taking AP English Literature next year (yay last year of high school!), and The Catcher in the Rye, Ethan Frome and Other Stories, The Lord of the Flies, Wuthering Heights, and Animal Farm are the five required summer reading books. I wasn't really looking forward to re-reading J.D. Salinger, so I decided to read it first and get it over with.

Just in case you haven't read what is probably the most famous young adult novel ever (even though it was originally published for adults), I should probably take this opportunity to explain that The Catcher in the Rye follows and is narrated by Holden Caulfield, a teenager who relates various experiences he had one year at Pencey, the private boys' school he attended until being expelled for failing every class but English, and what he did after being expelled. The book's title comes from Robert Burns' Comin' Through the Rye, a misheard line of which led Holden to picture himself as a guardian who catches children running through a field of rye just before they fall off of a cliff.

In the book, Holden wears and carries around a red hunting cap, and often wonders what happens to the Central Park ducks when winter comes and the water freezes over. Apparently, this is some great example of symbolism, but I didn't "get" that symbolism either time that I read the book. To me, it is not necessary--while the book may carry symbolism or hidden meaning, I didn't find that I enjoyed the book less for not getting that symbolism. Rather, the main problem I had with the book the first time I read it was that Holden was just so whiny. He is immature and over-emotional, and while he pretends to be an adult through much of the book (when he is in New York City alone), nobody really falls for it. This time, however, I somehow didn't find his whining as troubling, though it certainly did not go unnoticed. Salinger is very good at portraying things in a way that made me think, "Yeah, wow, that's really how it is in real life," whatever "it" is. One example would be some of the things that Phoebe, Holden's younger sister, says and does: her actions and words are completely in accordance with how children act, at least in my experience. The only thing that really bugged me this time around was one of Holden's verbal tics, "It really is." It seemed like every time Holden described something, he followed it with "It really is." I found myself thinking, "Yes, Holden, I KNOW it really is, or you wouldn't have said it, now please get on with the narration!"

All in all, I loved The Catcher in the Rye this time around, and I'm very glad I had an excuse to re-read it.

Middlesex - Jeffrey Eugenides

Middlesex is about Calliope Stephanides, a Greek-American girl who, beginning in puberty, discovers that she is not like other girls, and in fact is not a girl at all. Due to several generations of incest, recessive genes have come together in Callie--that is, Cal--causing 5-alpha-reductase deficiency. This means that while he looks and acts entirely like a girl until puberty, Cal is actually a boy.

The first two "books" of Middlesex follow Cal's Greek family as his grandparents, brother and sister as well as third cousins, marry and move to the U.S. in the 1920s. These grandparents, "Lefty" and Desdemona, have a son, Milton, and their cousin Sourmelina has a daughter, Tessie. The narrative follows the family as Milton and Tessie grow up and, eventually, marry and conceive a child. In the second half of the book, this child, Calliope, grows up, eventually realizing that she is somehow different from others. After visiting a doctor in New York City, Callie decides to run away and become Cal. While I won't give away the entire rest of the plot (I hope I haven't given away too much already, but I'm sorry if I have), the book ends with Cal being at peace with who he is.

This book was not what I expected at all. I knew roughly what it was about, but I had no idea that half the book would follow the family of the main character rather than the main character himself. That said, I was not disappointed in the least. I felt that knowing Cal's family background somehow illuminated the complicated relationships within the family, which I thought made the story much richer. Written in the form of an autobiography, the narration in Middlesex is nonetheless captivating, and every one of the characters is complex and well fleshed out. Due to its setting, the book contains some social commentary, describing the attitude toward blacks, Greeks, and basically anyone "different" in 1960s and 1970s Detroit, where the Stephanides family lives, as well as the animosity between Greeks and Turks. As well as being entertaining, Middlesex made me want to research hermaphrodism and gender in general, and I will be recommending it to all my book-loving friends.

Labyrinth - Kate Mosse

Sorry for being gone so long! No, I was not dead, I was not in Antarctica, and I was not attempting to read David Foster Wallace's Infinite Jest (though I do intend to at some point) or Tolstoy's War and Peace (which I also intend to read; Anna Karenina is one of my favorites). Rather, I was doing schoolwork--to make a long and painful story short, I had to do two semester classes, chemistry and A.P. World History, in a few short weeks. Understandably, I didn't have much free time, but I'm back now, a proper high school senior! How strange.

Had I had the time, I'm quite sure I would've read Labyrinth by Kate Mosse straight through. While it's not a quick read by any means, it is very captivating and suspenseful. Labyrinth follows the story of Alice, a volunteer on an modern archaeological dig, and Alais (the "i" has an umlaut over it, but I can't figure out how to do that on Blogger), a young woman in medieval France. On the dig, Alice discovers a cave with two skeletons, writing on the walls, and the pattern of a labyrinth on the floor. From there, Alice is thrown into what becomes a search for the Holy Grail. Back in 1209, Alais' father asks her, as the Crusaders approach to wipe out the French Cathar "heretics," to help protect an ancient book, one of three that will reveal the secret of the Grail.

The book alternates between Alais and Alice, the chapters becoming shorter and shorter near the climax. This added greatly to the suspense of the book for me. I love when the plot of a book leads me up a giant hill, culminating in one point where I see everything--the "aha!" moment, if you will--and Labyrinth certainly does that. The characters were very well fleshed out as well, though there was one character (Oriane, Alais' sister and one of the baddies) that seemed one-dimensional. Another thing I enjoyed about the book was the depth to which the book was entrenched in history. Labyrinth is often compared with Dan Brown's The Da Vinci Code, but I don't think that comparison is valid beyond the surface, at least not as I read both books. When reading The Da Vinci Code, I consciously noticed Brown's use of historical fact; my mind would be diverted from the plot momentarily, noticing that he was referring to something that actually happened. In Labyrinth, this was not the case at all. I was immersed in the story the entire time I was reading it, and the fact that the historical background existed did not distract me from the story as it did in The Da Vinci Code.

I greatly enjoyed Labyrinth, and after finishing it, I ordered Sepulchre, the second in the trilogy. I can't wait until it arrives--as Philippa Gregory said, "the past comes to life." History and suspense lover that I am, I couldn't help but love it.

Everything Is Illuminated - Jonathan Safran Foer

When I bought Everything Is Illuminated, I actually went to the store with the intention of buying Extremely Loud and Incredibly Close. It, however, was a good $5 more, and my cheapness won out. I couldn't be happier--Everything Is Illuminated is an incredible first novel, and I can't wait to read Foer's other books.

Everything Is Illuminated is definitely a book that you have to pay attention to; the changing time periods and perspectives would otherwise be confusing. In the book, a young man named Jonathan Safran Foer sets out to find the woman who may have saved his grandfather from the Nazis. To do this, he travels to Ukraine (which I used to call 'the Ukraine,' but after reading this book, I realize that makes no sense), where he is guided by Alex, a young translator who speaks wonderfully terrible English, Alex's grandfather, and Alex's overly loving dog, Sammy Davis, Junior, Junior. However, the book also follows Jonathan's ancestors, particularly his grandfather, Safran. This is what can make the book confusing, but again, it will only be confusing if you don't pay attention. Pretty much the entire first half of the book is absolutely hilarious. While it has serious moments, to be sure, Sammy Davis, Junior, Junior and Alex's butchered English are highly entertaining. The second half, however, has less humor, but is by no means less captivating and wonderful.

As the Baltimore Sun said of Everything Is Illuminated, "Maybe two or three times in a lifetime, a book transcends its genre to become an experience. Everything Is Illuminated is an event of this order." Yes, actually, it is that marvelous. Honestly, I wasn't immediately drawn in by the blurb on the back of the book, but I couldn't be more glad that I picked it up anyway. I give this book full marks--not that it needs my approval.

The Illustrated Man - Ray Bradbury

The twenty stories in The Illustrated Man are based around a man who was tattooed, or illustrated, by a woman from the future. The stories in the book are the stories depicted on the Illustrated Man's body, and range in topic from the end of the world to the endless Venutian rains to the life and death of the person who happens to be watching the illustrations.

While I enjoy reading short stories, I don't often enjoy collections of short stories--though, granted, I haven't read many. Neither did I enjoy the only other Bradbury book I've read, Fahrenheit 451. However, I decided to pick up The Illustrated Man regardless of these facts, partly because the premise fascinated me and partly because my friend Ayushi (who has a book blog that you should go read) read and enjoyed it. This definitely turned out to be the right choice. There wasn't a single story in the book that I didn't enjoy, and there were many that I absolutely loved. If I have spare money anytime in the next few months, I'll most likely buy it. The stories in The Illustrated Man were touching, alarming, creepy, awe-inspiring, and eerily prescient, often all at once. Maybe I'll have to read some of Bradbury's other work, or even re-read Fahrenheit 451. Suggestions?